with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint. Ibsen's meanings belong to this third class. Rank - Torvalds best friend. Looking backward, by its light, Nora is no longer an inconsequent, impossible character. He wrote, after this, ten plays; and with each of them his mastery of symbol increased, growing more detailed, more minute, and intricate.
His "little lark" he calls her, his "squirrel" and "spendthrift." She is charming and dishonest, always flitting, never resting, a light-headed, light-hearted, inconsequent thing. He leant Nora the money to take Torvald to Italy to recuperate. Linde took responsibility for her sick parent, whereas Nora abandoned her father when he was ill. The tarantelle is the play.
I have been performing tricks for you, Torvald, she says during her climactic confrontation with him. Nora initially seems like a playful, nave child who lacks knowledge of the buy essay papers world outside her home. I used to enjoy it when you played games with me, just as they enjoyed it when I played games with them. Thus Nora does not tell him the truth about her loan, and Dr Rank does not tell him about his imminent death. In her husbands eyes, Nora is nothing but a silly squirrel, a little skylark, a song bird or a cute scatterbrain whose thoughts are nonsensical and typical to any other womans. Therefore, she decides to leave the dark cave and embrace the luminous freedom that she grants herself. In this sense, Noras domestic life in such a patriarchal society is just a reflection of the middle class women of her time that De Beauvoir depicted vividly in her essay. She had to give up her own daughter in order to take the nursing job offered by Noras father. And finally, when Nora discovers that she has duties higher than those of wife and mother, obligations she names as duties to herself she is voicing the most basic of feminist principle that women, no less than men possess a moral and intellectual nature and. Thus towards the end of the play, Nora realizes that it is time that she regained her status as being the One after a long time of submission, which established her role as the Other.
A particularly blatant example of the double standard is found in Ghosts where Pastor Manders expressed moral censure for the Alvings former servant Johanna as a fallen woman but scoffs at Mrs Alvings characterisation of her deceased husband as a fallen man. She is determined to think out everything for herself and be able to make her own decisions.
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